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God of Carnage

GOD OF CARNAGE

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Wednesday June 10. 2pm

Bernard B. Jacobs Theatre 242 West 45th Street

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James Gandolfini makes his first performance since The Sopranos in God of Carnage.

A hiliarious play set around talks between two sets of parents this Tony award winning  play of the year provides laughs for all the family.

After their son is injured during a playground brawl wholesaler Michael (James Gandolfini) and writer Veronica (Marcia Gay Harden) invite fellow parents – lawyer Alan (Jeff Daniels) and  wealth manager Annette (Hope Davis) over for afternoon tea while they discuss what led to their son loosing two teeth.

What starts out as a friendly conversation soon turns to turmoil as the parents each take sides and insist that “their son wasn’t to blame”. Added to the tension is the fact that businessman Alan is constantly on the phone doing business and it seems like the whole ordeal has caused him a great inconvenience having to be at the meeting. 5022855.jpg

As the tensions rise the parents fight and the audience is embroiled in the drama as flowers and thrown and books are destroyed. What adds to the comedy is that these are four  experienced actors known to the audience for the performances in shows such as The Sopranos and Angel’s in America. The audience gets to see these actors outside of their usual surroundings and acting terribly out of control!

The set is basic and simly consists of a living room with a couch, a table and a book shelf all placed against a blood red background. It is the simplicity however that adds to the comedy. There are no special effects or props to take away from the real point of the show that is the conversation between the two sides.

An original work by Yasmina Reza this play provides 90 minutes of fun and laughter and a free pass for these four actors to behave badly. Throughout the play the parents take hits at eachother while all three Annette, Michael and Veronica are constantly complaining about Alan’s phone ringing this becomes as laughing point for the audience who each time the phone rings know that trouble is only seconds away.

Phone conversations between Michael and his concerned mother (greatly resembling phone conversations between Tony Sopranos and his mother in The Sopranos) also break up the tension. While his mother is simply calling for an update on their beaten son the conversations appear to be an irritant to Michael while again providing humour for the audience. agespan.jpg

After a while the rum replaces the coffee and the cast begin to strip off outer garments and it is then the audience knows that this conversation may take some time.

This work of carnage is still running on Broadway at the Bernard Jacobs Theatre until November 09. Tickets start at just $66.50

AFTER THE SHOW

After the show Jeff Daniels and Hope Davis signed playbills and posed for photographs. Unfortunately not all the cast wait around after matinee performances and James Gandolfini and Marcia Gay Harden were not present on this occasion.

VIDEO CLIPS

Blue man group

BLUE MAN GROUP

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Sunday June 7. 8pm

Astor Place Theatre, 434 Lafayette Place

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Centred around three blue men this show is purely visual. The men don’t speak or even attempt to. This leaves it up to the audience to interpret their emotions and gestures. There is no storyline to follow as the show simply consists of different sketches from the marshmallow catching to the twinky eating. They use familiar objects such as captain crunch, twinky bars and marshmallows to capture the audiences attention although I wouldn’t recommend looking too interested as they may want you to get up on stage and get involved with their games.

The show is overall very interactive and the first few rows are even expected to wear ponchos to reduce the risk of turning blue themselves or being covered in half eaten food.

At times the men pick their victims from the audience whom they then begin to subject to different experiments such as stuffing your mouth full of twinky bars (during which the poor girl looked like she was going to either cry or throw up) and covering your body with blue paint before swinging into a canvas painting.

However as the show does start off exciting promising so much it quickly goes down hill. Do people really need to see three guys regurgitating half chewed marshmallows and chewed cereal. Why they think people want to see a food fights and be covered in half chewed food is questionable. Looking at youtube videos there is a high expectation of their brilliance but those performances are not to be seen in New York instead an amateur show that requires little talent.

Overall the show is entertaining although the novelty wears off mid-way through. If these men weren’t blue it is doubtful the show would have lasted so long off broadway. A good night out for the family but in the small theatre and basic set it is easy to tell why this glorified circus show has been kept off broadway.

This may be entertaining for kids but adults save your money there is much better out there for the same cost. I for one am grateful that our tickets were 50% off.

Overall this show was overpriced and overrated. Tickets to this New York performance are no longer available as the show has been closed down. Other performances are available throughout the US including Las Vegas.

AFTER THE SHOW

After the show the three men came out to autograph (kiss) the playbills and pose for photos.

VIDEO CLIPS

Category: New York Travel, Reviews  Tags: , ,  Comments off

Next to Normal

NEXT TO NORMAL             stars

Friday June 5 8pm

Booth Theatre 222 West 45 St. New York

Next to Normal - Arena Stage

Making its debut on Broadway Next to Normal brings light to the issue of mental health in society. Through the life of  wife and mother Diana (Alice Ripley) the audience gets a look inside the struggles of living with bipolar disease.

Alice Ripley who would three days later win a tony award brought brings the character alive with strong solos and emotional struggles. For 16 years she has been experimenting with contails of pills yet to find one that works. It is only after she starts making mass amounts of sandwiches on the floor that her husband  Dan (J.Robert Spencer)  decides it is time for her to go back to therapy.

As a caring husband Dan has been there for his wife since the beginning. He has stood by herself and he is the one that supports her. Throughout all the struggles he remains by her side and encourages her to accept reality while at the own time he is fighting is own demons.

Next to Normal also looks at the life of teenager Natalie (Jennifer Damiano). The daughter who feels neglected in the shadow of her dead brother. For her, freedom is just a sontata away as she throws herself into her studies and fights to be able to graduate early and escape the turmoil of her home life. Finding love for the first time she is reluctant to let her boyfriend Henry (Adam Chanler-Berat) making every excuse not to invite him home but in the end he is the support she needs to help her through.

In this performance  Kyle Dean Massey played the role of Gabe replacing Aaron Tveit who is on summer hiatus  . This may have been his first perfomrnance but the audience certainly were unaware of his naievity as he bellowed out the strong notes and played the part of the dead son. Fighting for his mother he  is determined not to let the pills destroy him as he battles to sway his mother and fight for his life.

To complete the cast Louis Hobson steps in in the role of Dr. Madden/ Dr. Fine. A self confessed rock star who is determined to find a solution to Diana’s problems. Trying the blue pills and the green pills and then the yellow pills he is not ready to give up and eventually suggests the controversial treatment of electroconvulsive therapy.

The musical is centred around the original soundtrack by composer Tom Kitt (13, Hair) and with songs such as “Superboy and the Invisible girl” and “I am the one” combines both pop and rock genres.

Set in a three story house the set provides a realistic setting for family life. Racing up and down the stairs the family make the most of the setting while providing the audience with action and variety.

Ending on a positive the play emphasizes the fact that there is light at the end of the tunnel and after years of sturrlge there will be light.

Still running at the Booth Theatre Next to Normal is a must see and tickets start at $110

AFTER THE SHOW.

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After the show all cast members greeted fans outside the stage door of the theatre and discussed their excitement over the upcoming Tony awards. Unfortunately Jennifer Damiano (Natalie) was not present.

VIDEO CLIPS

Interview with Aaron Tveit

http://www.nytimes.com/interactive/2009/04/16/theater/20090416-aaron-tveit-next-to-normal/index.html

Behind the scenes

http://link.brightcove.com/services/player/bcpid2648494001?bclid=2652543001&bctid=19183403001

Street Performance World Championships

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Experiences are educational for deaf children, but verbal exchanges need to be relayed or accessible, especially at public events like SPWC. We are grateful to Miriam Walsh for attending this year’s AIB SPWC event and writing a report for IDK.

On Saturday June 20th, crowds gathered at Dublin’s Merrion Square for the finals of the AIB Street Performance World Championship (SPWC).  This was just a family day in the sunshine for many, but for others, the event was significant as the fun was made accessible to sign language users.

Pitch one at this year’s event had sign language interpretation for each of the Saturday and Sunday performances. Arriving in this area it was a challenge to find a seating place, which proved the popularity of the event.

More people were here, than at any of the other performances. Contortionist Bendy Em was stunning the crowd with her ability to fit inside a tiny plastic box. The average spectator might have dismissed the woman waving her arms frantically at the back, but her presence meant the sign language users present were able to understand what was going on.

Betty Brawn the second performer at this event did her best to involve the audience and added her own cues to her act. Using basic sign language, she introduced herself to the crowd and used visual cues in her performance to get the audience’s attention. These signs were basic and said things such as  “the human carousel”, “ooooh”, “wow” and “clap”.

Basic or not, these clever visual cues enhanced the spectator’s experience. Speaking before the act Betty said it had been her dream to perform in that area and she was excited to do so. Seven year old Ben from Louth travelled with his family to the event and thought Betty was ‘amazing’. Ben, who understands basic sign language, was able to enjoy the event just like any other child because of the interpreter.

Alan Regan also enjoyed the event and said, “It took me a while to figure out that that person was an interpreter. It was great that every one was included in this event and able to equally enjoy the show”.

While this interpretation was a clear advantage for attendees at the event it must be noted that not all deaf or hard of hearing people are fluent sign language users. Added to this is the fact that sign interpretation relies heavily on the interpreter signing every single word.

At this event it was clear that the different interpreters had different styles. One relayed everything, including all the jokes and passing comments, while the other’s tendency to omit sections of dialogue meant the viewers might not have got the full enjoyment of the event.

Initial talks during the planning of this event suggested that captioning might be an option but this was dropped in the days preceding the event. Captioning is best known in TV programmes, videos or cinema, and is now extending to live shows and performances like those at SPWC.

Live captioning at events like stand-up comedy or theatre, uses real-time stenography to convert the show’s audio output into text which is displayed on a large screen for the audience to read.

Providing captioning and sign language interpretation at the same event gives organisers a best-practice edge. Live captioning gives accessibility to all deaf and hard of hearing people, and to visitors who use English as a second language. With sign & captioning, all attendees can understand what the performers are saying in real-time and fully enjoy an event.

Captioning is to be considered for SPWC 2010, according to the organisers. Judging by the turnout at this year’s event, 2010 will be even bigger.

Category: General Articles  Tags: , , , ,  Comments off
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